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Foraging in fields and on rubbish heaps, and sharing food with his friend Crane-man, used to be enough to fill Tree-ear's days. But now all Tree-ear wants to do is watch master potter Min at work.
Ch'ulp'o is a potters' village, famous for delicate celadon ware, and Min is the most brilliant of all potters in Ch'ulp'o. He is also known to be short-tempered. Even so, Tree-ear is drawn irresistibly to Min's workplace. He is fascinated by the miracle of the potter's craft and dream of making a pot of his own someday. His quest leads him down unexpected paths, with hazards and rewards beyond imagining.
This account of a creative spirit on its journey toward fulfillment is set in twelfth-century Korea, where the course of human destiny could be determined by a single celadon shard.
A Single Shard won the 2002 Newbery Medal for most distinguished American children's book.
- Sales Rank: #13016 in Audible
- Published on: 2003-11-07
- Format: Unabridged
- Original language: English
- Running time: 194 minutes
Most helpful customer reviews
161 of 168 people found the following review helpful.
A Twist on Familiar Orphan Story
By A Customer
As a Korean person, I'm quite familiar with the orphan story tradition that exists in Korean culture and literature. When I was a kid, my parents told me they picked me up under a bridge when they wanted to chide me for some mischief, and I used to cry. It may sound strange to westerners, but the 'orphan under a bridge' is a familiar archetypal story that's been passed on through generations through oral storytelling as well as narrative ones. Korea is a country that's been through countless attacks and subjugations by other countries and empires, and the possibility that a child could suffer the plight of being an 'orphan under the bridge' strikes a particular chord of fear and pity for the Koreans.
Linda Sue Park does a fabulous job of taking this traditional Korean story module as a catalyst for a well-developed tale of triumph of a boy who shouldn't have overcome the odds but did. Placing the protagonist boy in 12th century Korea was a shrewd move, as it was the era when Korean art was deemed to be in its apex, especially its pottery. As we follow Tree Ear, the hero of the book, trying to overcome many obstacles to become the master potter, we also become aware of the rich culture and tradition of an exotic land.
It's a tribute to Ms. Park that she does this without sentimentalizing and 'orientalising' the world that she depicts. (Although I question the translation of the boy's name into 'Tree Ear', a la Amy Tan) We only get a deeply moving tale, a bildungsroman of a boy who came into his own despite the odds. It's a common story structure, but it works unfailingly through Ms. Park's convincing and inspired narrative and the previously uncharted terrain of 12th century Korea. Very well done. Get this book for your kids but steal it away from them at night when they're sleeping and read it yourself.
69 of 75 people found the following review helpful.
Another Place; Another Time
By Timothy Haugh
A short time ago I wrote about how I find the Booker Prize to be one of the few awards that consistently recognizes truly excellent books. The other award that I think does as well is the Newbery Medal. As always, there is varying quality even among the winners of this award but I found this book to be one of the best of the best.
First of all, I always appreciate books that take me to places I've never been. Certainly, this story of twelfth century Korea does that. Additionally, it describes various processes of pottery-making, something else with which I was not very familiar.
Most importantly, however, this is a story filled with wonderful characters. Tree-ear is an orphan who lives beneath a bridge with an old man named Crane-man. Slowly, Tree-ear works his way into the family of a master potter, Min & his wife, by doing work which the old potter now finds difficult. Ultimately, Tree-ear is sent on a long journey to the capital with a sample of Min's work to obtain a royal commission but, when the samples are destroyed along the way, he can only take a shard of the former pottery to the commissioner.
This is a beautiful story which is well worth reading--and that includes any "adults" who might be reading this. Remember, if you can't read a "children's book" and enjoy it, then your child should probably not be reading it either.
34 of 35 people found the following review helpful.
This book deserved the Newbery
By A Customer
I am 12 years old, and I liked this book a lot. Once I started reading it, I couldn't stop. I ended up finishing it in about an hour and fifteen minutes. Even though the plot is very simple, there's a lot of messages inside of it. It is similar to the box that Tree-Ear finds that is simple on the outside, but inside it has many other boxes in a complex layout. For example, when the potter Min's wife discoveres Tree-Ear is saving the lunch he receives from her, she refils his bowl even when he hids it. When Tree-Ear finds the re-filled bowl, instead of being greedy the next day and eating the whole thing because he knows it will be refilled, he only eats half. Tree-Ear and Crane-Man don't have much, but they are thankful for the little that they do have. I think this book is a very good book for children, and I think it deserved to win the Newbery award.
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