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Consolidating major figures and film movements into their decade of greatest influence or prestige, this “no-nonsense” book offers a generously illustrated, concise, and very readable history of fiction movies with an emphasis on American cinema. Eclectic in methodology and written in a plain English style that audiences can relate to, it examines the full scope of traditional film history and criticism, viewing film as both an art and an industry— as it mirrors popular audience values, social ideologies, and historical epochs.
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- Sales Rank: #88981 in Books
- Brand: Giannetti, Louis/ Eyman, Scott
- Published on: 2009-07-24
- Original language: English
- Number of items: 1
- Dimensions: 10.70" h x 1.50" w x 8.30" l, 2.30 pounds
- Binding: Paperback
- 480 pages
From the Back Cover
Consolidating major figures and film movements into their decade of greatest influence or prestige, this "no-nonsense" book offers a generously illustrated, concise, and very readable history of fiction movies with an emphasis on American cinema. Eclectic in methodology and written in a plain English style that audiences can relate to, it examines the full scope of traditional film history and criticism, viewing film as both an art and an industry- as it mirrors popular audience values, social ideologies, and historical epochs.
About the Author
LOUIS GIANNETTI is a Professor of English and Film at Case Western Reserve University inn Cleveland. In addition to being a professional movie reviewer for several years, he has written many scholarly articles for such journals as "Literature Film Quarterly, The Western Humanities Review," and "Film Criticism." Dr. Giannetti is also the author of the popular textbook, UNDERTANDING MOVIES, EIGHTH EDITION (Prentice Hall, 1999). Other books include a collection of theoretical essays, GODARD AND OTHERS: ESSAY ON FILM FORM (Fairleigh Dickinson University Press and Tantivy Press, 1975), and MASTERS OF THE AMERICAN CINEMA (Prentice Hall, 1981), a history of American fiction films from the perspective of eighteen major figures.
SCOTT EYMAN is the Books Editor for "The Palm Beach Post." He has won awards for his journalism, criticism, and television writing. His other books include FIVE AMERICAN CINEMATOGRAPHERS (Scarcrow Press, 1987); MARY PICKFORD: AMERICA'S SWEETHEART (Donald I. Fine, 1990); ERNST LUBITSCH: LAUGHTER IN PARADISE (Simon & Schuster, 1993); THE SPEED OF SOUND: HOLLYWOOD AND THE TALKIE REVOLUTION 1926-1930 (Simon & Schuster, 1997); and PRINT THE LEGEND: THE LIFE AND TIMES OF JOHN FORD (Simon & Schuster, 1999).
Scott Eyman is the books editor for the Palm Beach Post. His other books include The Speed of Sound: Hollywood and the Talkie Revolution, 1926-1930 and Print the Legend: The Life and Times of John Ford, both available in paperback from Johns Hopkins.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Glorified paperweight.
By Shakespeare
I wish the author would shut the hell up. He writes as if he is writing encyclopedia's. Except an encyclopedia would have been more interesting than this book and I've read many many many books on films, and just books in general. He takes 3 pages to say what he could have summed up in 3 paragraphs. It's ridiculous. According to my professor the author drives a bentley and I guess this is how he pays for it, with an obnoxiously over priced, over written, glorified, stack of what could be better used as paper played down for paint droplets. It was necessary to pass my class. Otherwise, honestly I would never recommend anyone buy this. You learn more elsewhere.
0 of 0 people found the following review helpful.
Very Lacking in Quality Information
By loveamazon
This book is fairly useless. I purchased it for a class I am taking but find it to be only supplemental to the material in the course. The glossary is very limited and the glossary terms are not included in the index - this makes finding information not about a specific director/film nearly impossible. The one benefit of the book is the large amount of pictures included about the movies mentioned. If you do not need this book for a class then you should consider renting, or skipping it altogether, as there is not much useful information included in it.
3 of 3 people found the following review helpful.
... for my History of Film class and I absolutely hated it. The writing style is terrible
By Claudia
I used this book for my History of Film class and I absolutely hated it. The writing style is terrible, the book is cluttered and unorganized. For example, some directors are described in one decade, but the authors write about the movies they made 10 or 20 years before. Some of the film descriptions feature more text about the actor than the film. The index is unusable to find anything. I was looking for Brad Pit and the index only showed two entries. After reading the whole textbook I found more entries about Brad Pit in the text that were not in the index. If you are trying to write a paper and are looking for references in the book because your professor tells you to give references to the textbook it is almost impossible to find the entries using the index because it is so terrible. You also have to go through several chapters and blurbs to find all the little references to one person or film. I hope the authors will streamline this book in the next edition and enhance the index. I could also go on and on about their selection of featured films and actors, which I found strange.
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